This oddity by Ancelotti is a fantastic string crossing workout that can’t seem to decide whether it’s in D major or minor! Don’t get caught out by the accidentals!
This oddity by Ancelotti is a fantastic string crossing workout that can’t seem to decide whether it’s in D major or minor! Don’t get caught out by the accidentals!
Hone your hooked bowing with these effervescent exercises! Practise these jaunty zigzaggy arpeggio patterns in G, A, Bb, and C major, and soon you'll be hooked!
John Stanley was an 18th century English composer and organist. Here's our arrangement of one of his particularly triumphant organ voluntaries for violin and piano.
These cheeky little monkeys will help you practise the hooked bowing technique ... G major scales in two octaves, but with some cheeky little chromatic twists!
Dvořák wrote his set of Humoresques in the summer of 1894 when he must have been in a pretty good mood! The 7th one is probably the best known and probably the best!
Hmm … not sure Henry VIII would provide good company to pass the time with, but he certainly knew how to write a good tune! Great rhythms, too … enjoy!
Paganini's 24th Caprice is the last of his epic set of caprices. This catchy theme has been the inspiration for a huge number of pieces ... an absolute classic!
For a piece about witches, this is a surprisingly chirpy tune! It's full of crisp bowing and sparkling arpeggios. Play it nicely, or you may discover their dark side!
This lovely, lilting, flowing, yearning, dancing Medieval/Renaissance Ronde - written by that mysterious composer ‘Anon.’! - is exclusively arranged for two violins.
Probably virtuoso violinist Niccolò Paganini's most famous tune! The main theme of Caprice No.24 is joyful and exciting, and played using the hooked bowing technique.
Johann Vierdank was a German violinist, cornettist and composer of the early 1600s. His Capriccio I features some delightfully imitative interplay between the 2 parts.
Head back to the Renaissance for Ronde V by that mysterious composer ‘Anon.’! It’s a rollicking, frolicking Tudoresque dance, exclusively arranged here for two violins.
Dvořák wrote his set of Humoresques in the summer of 1894 when he must have been in a pretty good mood! The 7th one is probably the best known and probably the best!
Hmm … not sure Henry VIII would provide good company to pass the time with, but he certainly knew how to write a good tune! Great rhythms, too … enjoy!
Paganini's 24th Caprice is the last of his epic set of caprices. This catchy theme has been the inspiration for a huge number of pieces ... an absolute classic!
For a piece about witches, this is a surprisingly chirpy tune! It's full of crisp bowing and sparkling arpeggios. Play it nicely, or you may discover their dark side!